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WELCOME


 

 

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WELCOME


 

 

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MoneyPromo


carnival / p&o Cruises / three-pin productions

"money makes" Promo

ANIMATED trailer 

VIEW "MONEY MAKES" PROMO →

MoneyPromo


carnival / p&o Cruises / three-pin productions

"money makes" Promo

ANIMATED trailer 

VIEW "MONEY MAKES" PROMO →

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Tempest


ROYAL CONSERVATOIRE of SCOTLAND

The tempest

ANIMATED PROJECTION DESIGN

College of dramatic arts, beijing /

chandler studio theatre, 2015

VIEW the tempest →

Tempest


ROYAL CONSERVATOIRE of SCOTLAND

The tempest

ANIMATED PROJECTION DESIGN

College of dramatic arts, beijing /

chandler studio theatre, 2015

VIEW the tempest →

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Bombshell


HYPOTHETICAL PROJECT

BOMBSHELL

The musical

VIEW BOMBSHELL 

Bombshell


HYPOTHETICAL PROJECT

BOMBSHELL

The musical

VIEW BOMBSHELL 

set_LMER.jpg

The Little Mermaid


The Little mermaid

or "Am Maidhdinn Mhara beag"

A Hypothetical design

VIEW THE LITTLE MERMAID

The Little Mermaid


The Little mermaid

or "Am Maidhdinn Mhara beag"

A Hypothetical design

VIEW THE LITTLE MERMAID

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The Addams Family


UK THEATRE SCHOOL
THE ADDAMS FAMILY

NEW ATHENEUM THEATRE, 2016

VIEW THE ADDAMS FAMILY

The Addams Family


UK THEATRE SCHOOL
THE ADDAMS FAMILY

NEW ATHENEUM THEATRE, 2016

VIEW THE ADDAMS FAMILY

opening island.jpg

The Tempest


ROYAL CONSERVATOIRE of SCOTLAND

The tempest

College of dramatic arts, beijing / chandler studio theatre

2015

The Tempest


ROYAL CONSERVATOIRE of SCOTLAND

The tempest

College of dramatic arts, beijing / chandler studio theatre

2015

DIRECTED BY ALI DE SOUZA

design BY kirstin rodger

 

These animated back-drops were created for the Royal Conservatoire of Scotland's production of Shakespeare's The Tempest. 

Utilising a combination of hand-drawn illustrations, real-world footage and digital created animation, these subtly animated  backdrops aimed to depict Prospero's island as a bleak, monochrome world, inspired by graphic novels and traditional Asian ink artwork. 

When on tour to the College of Dramatic Arts in Beijing in October 2015, the animations were shown on a large scale LED screen, and, in the Chandler Studio Theatre in Glasgow,  were later incorporated into a new scenic design by Kirstin Rodger.

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